8/20 @ OGDEN MUSEUM | 9/18 @ JAZZ MUSEUM. - NEW ORLEANS | 11/27 @ Chickie Wah

Kristin Diable

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Kristin Diable

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KD @ Tipitina's - New Orleans

Dockside Studios


“After a long recording hiatus, Kristin Diable is back with a new album... her sumptuous voice in smart, understated arrangements that straddle the line between Americana and contemporary pop.”

— NOLA.com / Times-Picayune, April 2026

 

"Diable exudes both cool poise and smoldering, subtle sexuality throughout these ten perfectly crafted songs, beckoning you back for additional spins to ride her wave of sound." – American Songwriter’s Top 50 Albums of the Year  (Create Your Own Mythology)


IMPOSSIBLE THINGS - PRESS PAGE

The Long Way Back

  On loss, survival, single motherhood, and why it took ten years to make this record — and why every minute of the wait was worth it.


Nobody waits ten years between albums. Not on purpose. But New Orleans songwriter Kristin Diable didn’t have a choice — and that is exactly what makes Impossible Things one of the most honest records you’ll hear this year.


When her last album, Create Your Own Mythology — produced by Grammy-winner Dave Cobb and premiered by NPR — earned her national acclaim, performances at Austin City Limits and Jazz Fest, and placements on CBS, Netflix, and Amazon, it looked like everything was aligning. What followed were years most people keep private: a global pandemic that shuttered the music industry, an abusive marriage, the death of her brother to the opioid epidemic, and the arrival of a daughter, Lucinda, who became both her greatest joy and catalyst toward 'Impossible Things.'


Making another album didn’t just feel hard. For a while, it felt impossible.


Impossible Things is what happened when she chose to believe otherwise. Recorded at Dockside Studios in the swamps of south Louisiana with producer Ben Alleman (Dr. John, Ryan Adams, Jenny Lewis, Madi Diaz), it is the fullest expression yet of the sound Diable has always been building toward: dream-pop Americana rooted in Southern soil and reaching toward the cinematic. Unhurried. Unflinching. Deeply, stubbornly alive.


The album doesn’t dramatize her hardships so much as alchemize them. “Shame Say” confronts her abuser with compassion rather than fury. “Bidding” is the anthem of anyone who has finally, quietly decided they deserve better. “Ever Softly You Go” is a lullaby for two children at once — the daughter sleeping in her arms and the girl she once was. “Impossible Things” itself reads like a spell, a set of beliefs to say out loud before the day begins.


“Impossible Things” is a transcendent, haunting joy ride rooted in Diable’s mystical southern americana foundation, while projecting into new unchartered psychedelic, cinematic, electronic pop leaning sonic landscapes. This is Dream Pop Americana. 


Some records want to impress you. Impossible Things wants to companion you. It believes you can do hard miracles before breakfast. It believes your art is your life and your life is your art. It whispers that transcendences is not on the other side of any challenges, but right here in the present, if we can quiet the noise just long enough to hear it. 


Impossible Things is in stores nationwide May 8, 2026 on Speakeasy Records/Well Kept Secret. Diable plays French Quarter Fest (April 19), Jazz & Heritage Festival (April 26), and Music Box Village (April 30) ahead of the national release.


 STORY HOOKS FOR EDITORS


The Decade-Long Silence

A critically acclaimed artist goes quiet for ten years — not for artistic reasons, but because life made creating impossible. What does it take to come back? And what does the music sound like when you do? This is a story about what happens to art when survival comes first.


The Dream-Pop Americana Conversation

Diable is one of a handful of artists — alongside Waxahatchee, Hozier, Arooj Aftab — redefining what roots music sounds like in 2026. Impossible Things asks: what happens when Americana stops performing its own tradition and starts dreaming?


Motherhood as Creative Catalyst

Diable’s daughter Lucinda didn’t just change her priorities — she changed her art. “I have more capacity as a songwriter by being a parent,” Diable says. “It’s opened more doors creatively and emotionally.” In an era when the conversation about women, art, and caregiving is louder than ever, her story is a necessary counterpoint to the myth that parenthood ends creative life.


Surviving Domestic Violence — and Telling the Truth in Song

Diable doesn’t make her experience of abuse the headline, but she doesn’t hide it either. Her account of how emotional control disrupted her creative life — and how making this record was an act of resistance — is a rare, grounded, deeply human piece of testimony embedded inside a beautiful album.





 

”Diable’s bluesy rock gets Nashville glitz on this tambourine-bolstered barn-burner that rolls in like a summer storm and blooms like Southern magnolia." – NPR



CONTACT

booking@speakeasyrecords.com  •  (917) 202-2139  •  kristindiable.com 

Focus Tracks:   Bidding, One Man on the Road, Gypsy Queen, 

Your Heart It Is The Ocean, Serpents & Saviors

  ----------------------------------------------------------------------------------

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